
more future lofts in the Pearl
I have always loved the aesthetics of construction sites. Exposed floors, support beams, cranes, plastic sheets blowing in the wind. Here, I especially love the blue elevator and plywood boards. It is seasonably blue, cold and sinusy and wet, the kind of color scheme I associate with British films, earaches, and punk music. Blue headache. Blue exhaustion. Blue skin after seizure. The medication I am taking can turn gums blue if taken for too long. Good thing my course of therapy is almost complete, gums still pink.
This naked frame feels so different from the fiery oranges and reds of last summer's construction blitz:

I miss the warmth, the spray-painted numbers, the dark shadows you only get with bright sunshine.

Here, I am fascinated by the stylized numbers, stenciled inside playful dots, as if mass-produced for the purpose - a retro construction site for the uber-hip Pearl. It is as if the construction site has its own design, its own architecture, meant to please the aesthetes that populate this block (perhaps watching from their floor-to-ceiling windows, wondering if the new lofts will have granite counters and nickel hardware just like theirs).

Comments (1)
Karrie... You have had a flurry of fine writing recently here. I am dazzled by the sensorial generosity of your perceptions, the corner-of-the-eye genius of your choices and insights. This recent post reminds me of one of my favorite pieces of writing, William H. Gass' "On Being Blue." To me, blue works its power as a tincture, as a nudge on other colors: the bluing of white, the spiritualizing of green, the heightening of red... other colors function in the foreground... blue is best as secret agent.
Some links:
http://www.amazon.com/exec/obidos/tg/detail/-/0879232374/102-0280859-0582529?v=glance
The epigraph to this essay on the color blue is the opening of Gass' book:
http://users.cnu.edu/~ltenney/paper.html
Posted by ken wilson | February 23, 2004 12:13 PM
Posted on February 23, 2004 12:13